Wednesday, September 21, 2011

drawings of candles

I have made some drawings of lighted candles.

The reasons I want to draw lighted candles is because I think the light gives off by candle can light up the dark, which makes the people, who are suffered from living, feel warmer and not so depressed. Though the flames might be small, but it can makes the people not so scare of the “dark”. It also makes the people feel less lonely in the dark as warmth the candle gives out would make the people think they are not alone in the world. The lights also allows the people in the dark to be able to see their surroundings and then discover the fact that hope is actually just next to them.














I used charcoal as the medium for these two drawings. I must take note of the gradual change of tones of the light gives off by the candle. I was happy with my drawings as I have manage the change of tones well, which really makes the candle look as if glowing in the dark.








I used pen as the medium for this drawing. Similarly to other drawings done in pen, I must take note of the small details. However for this drawing, I must also take note of the textures of the melting candle as well. The line must be neat and tidy. I think I should still work on the different size of the lines to create depth in the drawing.

drawings for religious figures

This time, I did drawings on religious figures.

This depicts Jesus comforting a new born baby. This creates a heartwarming, lovingly atmosphere which the people who live in sorrow would like to lived in. I rarely draw human figures as I found it hard to depict the expression of the people. This time, using the pencil, I must make the shadings looks more natural. Thus, I blend the shadings to make the lines seem less harsh. This also allows me to have a softer tone so as to create a more peaceful atmosphere. Also, I must take note of the proportion of the figures so that the human figures would not look distorted.





This is a pair of hands which are praying. It is draw by pen. This is the first time I used pen to draw the hands. For this, I must pay attention to the details of the hands. As compare to pencil drawings, there is no much shading to bring out the different tone of the hands, thus all the details are been enlarge. Hence, even the little small details need to be drawn out carefully. However, for the next time I can use different size of lines of the pen to suggest the depth of the objects.

inspiration from religious

After the inspiration I have on disasters, I have also have inspiration from the religious faith.

When in times of trouble and sorrow, people would normally pray to god to seek for help. Especially when we encounter something that we cannot solve, we would like to depend on god to give us the direction to continue to move on.

In the artwork, The Virgin in Prayer, by Giovanni Battista Salvi da Sassoferra
to. A woman is praying. This inspires me how people would have the hope in their heart and pray for the better. I might want to use this as references for my coursework by depicting people have the faith inside them despite of the sorrow and sadness.



After the disaster, a lot of people are praying for family’s safety and a better tomorrow. Though many of them knows that it might useless, but they still kept on praying. At first, I was puzzled at this phenomenon, as I don’t understand why people would keep on praying despite the fact that it is useless. However, after I watched the news reporting on the aftermath of the earthquake, I realize that it is not that the people are only seeking for help from the god, but a sense of comfort as well. It is just a form of believe that would continue drive people to move forward, a faith in heart that their loved ones will be safe.












In this photo, it shows survivors praying for the victims of the earthquake. It inspired me that i would also like to have a similar setting for my coursework, whereby people in the debris praying for the safety of their loved ones, and for whoever had suffered due to the disaster.

drawings for disasters

I did some drawings base on the inspiration i get from the natural disasters.

I did drawings on disasters is because I want to show that people are suffered because of disasters. The disasters have taken away people’s home, family and friends. Many of their precious memory are also been buried under the debris. In just a few minutes, years of people’s work are gone, leaving behind sorrow and sadness.

Firstly, i did the drawings on the collapsed building resulted by earthquakes.























As I did the sketches for the debris after the earthquake, I need to take note of the different tone of the debris. Previously I only did pencil sketches on a single object, thus I only have to take note the tone changes of that single object. However, as this is a drawing with many objects on it, I must note down the different changes in tone between all the subjects in the drawings. Also, I must also take note of the different textures of the debris, such as some are wood while some are cement. Thus, while drawings I must add different textures to the objects so as to distinguish the different materials. By doing so, I can add different lines and dots to the objects to suggest whether the objects are smooth or rough.

Then, i did drawings on volcano eruptions.


















For the drawings on volcano eruption, I used charcoal as the medium. As I rarely use charcoal in my normal drawings, it’s hard for me to control the strength of shading. Apart from must take note of different tone in the drawing as I mention earlier, this time I must pay extra attention to the gas emitted from the volcano eruption. As the gases have a totally different form, texture and shape from the normal objects that we can touch and feel, it’s very hard for me to use charcoal to depict the characteristics of gas. In order to do so, i use very soft line to draw the gases by smoothed the charcoal line. This helps to create a softer tone of the gas and thus makes it have the shapeless form.

Monday, September 19, 2011

Inspiration for coursework - disaster

Update the blog after a long long time J

For my AEP coursework, my theme is HOPE.

I chose this theme mainly because I want to tell the viewers that hope is everywhere around us, we should never give up on our life.

Recent years, many natural disasters occurred. This caused many people lost their home, family and friends. Life might be hard for them, but I hope they can believe that there is always hope and never give up.

Though disaster might not fall directly on us, but we can be quite close to it. Such as the 2004 Indonesia tsunami. We still can feel the shock of the earthquake. And from the report we can see that people live right beside us are suffering. This makes me feel very sad as i see people struggle to survive during and after the disaster.














Also, not to forget the 2008 Sichuan Earthquake. As my parents and most of my relatives live in Sichuan, the earthquake really give me a big fright. Luckily all of them are safe and sound. However, this experience allows me to empathize the life of people who have lose their family during the disaster. Still, it's quite hard for me to imagine what would they feel like when they heard that their family were buried under the debris. I think it's really hard for them to wait for the rescue team, and at the same time hope that their family will be safe









Following that, is the recent Japan Earthquake. I was surprised at Japanese's optimistic attitude after the earthquake. Though the devastating earthquake has resulted many people lose their home, family and friends, but they still did not give up and think positively. Also, they all work together to rebuild their hometown is very heartwarming. I hope that everyone who suffer from natural disaster could also discover the positive side of life and not give up.







Thus, I chose HOPE for my coursework’s theme!

Fashion Design

This is the fashion design i did last year. This is the first time i tried fashion design and it is a whole new experience for me. The forms are derived from natural element/patterns. For the fashion design, i must be careful of proportion. As compare to normal human figures, the body proportion used in fashion design is more idealistic. Also, it is also very important to be creative with the use of natural shapes and forms.
This is the sketch i did for the fashion design.
this is the final design for the fashion design module. I have used forest as the background. This is because i think it corroborate with the natural elements that i have had inspired from for the fashion design. I have used watercolour and colour pencil as the medium for the artwork. However, as the figures does not stand out from the background, thus i add outline around the figures to distinguish it from the background colour.


T. Venkanna with the Two Fridas



In January 2011, a stark naked man has attracted attention from over 350 people so far at the Art Stage Singapore exhibition. The man, who is the artist himself, seated in a booth in front of Mexican artist Frida Kahlo's The Two Fridas - dressed only in his "birthday suit". This artist is no other than T. Venkanna from Hyberabad, India.

This installation has attracted much of the public's attention and it is highly controversial. It seems to challenge the public's perception of art, as in this is a whole new medium which the art are conveyed to Singaporean. Some newspapers had gone to town with the artist's act, questioning whether it could be considered art. A lawyer was quoted as saying the show could be against the law as it is an offense to appear nude in public. The art fair, which opened to the public, is considered a public event.

To begin with, why would T. Venkanna would like to pose in front of the artwork, The Two Fridas in nudity? To answer this, we must first understand the context of the artwork.

There are two different characters as portrayed in her work. The traditional Frida (left), with an intention to hide the bruise of her past life experiences, wears a tattered and blood-stained Mexican dress with her broken heart seen. This may indicate a person’s response when she is trapped in a life designated according to her status of living. The traditional Frida is the reflection of a person held out by the life she was expected to live. As soon as she realized the need to adjust, she reinvents herself in a more positive way, unearthing in her the strong Frida at the right side.

Just like tabula rasa, one empty-minded person acquires knowledge from experience and perception in life. Frida’s response to the circumstances of failure lead to the ongoing strength of her evolved character, the right Frida – the epitome of strong will and determination in spite of hindrances which came along the way. She is the embodiment of the person who wisely decides for herself whom she wants to be, and not live accordingly with the influx of society’s culture and traditions. The artery connecting both Fridas and the holding of hands may signify the connection between the socially relying human and the independent fighting one – a strategy used by Kahlo to escape from reality and heal internally. Traditional Frida’s exposed, shattered heart may represent her longing – the bleeding love, which is still shared by both Fridas through the linking artery. The surgical scissors/pincers stop the blood from dripping out, which may indicate that she still knows her passions. The stain of blood in her white dress may convey the physical aspects of pain, reminding her of the unwanted incident of miscarriages, of abortions, of surgeries, of her life. The small pendant, displaying a miniature picture of Diego, is connected to her by a cord.

Thus, we could see that The Two Fridas is less about a fantay than an exploration of artist’s own personal reality; it is a quest for self-identity. This somehow corroborate with T.Venkanna’s artistic intention of "removing the trappings of identity” and thus discover the self-identity.

I think one of the reasons T.Venkanna would like to pose in front of The Two Fridas naked is because he wants the people to throw away the perception and stereotype the society has on them and discovers their true inner self. It is also possible that through his nudity, T.Venkanna is trying to convey the message that stripped off all the misinterpretations, one is only left with the pure essential part of human which has been buried and hidden all the way inside the human body.

Also, he appears in nude might also suggest that the clothes represent the different identity we have in society, as we are often been classified according to what we wear. We have our uniform and working clothes which suggest our occupations, our statues. Thus, nudity allows us to remove all the social identities and return to the state when we just born. And eventually, people will realize that we are all essentially the same.

Another reason is because T.Venkanna would like to be like Kahlor, who has the strong will and determination in spite of all the difficulties, and someone who would have the power to decide for herself whom she wants to be, and “not live accordingly with the influx of society’s culture and traditions.” In this context, as T.Venkanna challenges the traditional perception of art, he is determine to present who he is, his art and not been influence by the social norms.

So, since there is an artistic intention behind T. Venkanna's act, the artist has instils the life and meanings into his installation and making it his art, then why does this art work create so much controversial? When have seen different degree of nudity exist in paintings and sculptures for decades, yet why is it that majority of people are unable to accept a bare human body as a work of art when it is in the environment of an art gallery?

The reason for this might be because when an artist chooses to place his own body in an art gallery, he is challenging the society what constitute art. Formerly, the Dadaists challenged the preconceptions about art in choosing ready-mades to be their definition of art. And now, instead of choose ready-made materials, but choose human body as a platform expressing art, can it still be considered art?

Also, the work also comes with a price tag as every photo taken with the artist was charged $250.

This thus cause people to question the original intentions of the artist. For me, I could not understand why would any people willing to spend $250 to take a photo with Venkanna in his birthday suit against the background of The Two Fridas. Thought the photos help to record the performance, but this does not corroborate with T.Venkanna’s artistic intention. If he sees his body as part of a artwork, I don’t see why he wants the viewers to pay to take a photo with an “artwork”.

Although T.Venkanna has generates interest and question the accepted societal norms and public expectations of art, however I do questioned whether his artistic purpose has been fulfilled, as hen most viewers do not understand his work. Furthermore, as mentioned earlier, he exhibits in a public setting, it means that people of all ages could come across with the work can cause unnecessary disturbance to the viewers. Also, he should have take note that Singapore is quite a conservative society, as compared most of the western countries. Thus, most of the viewers might have seen such artworks/performance before would find it rather unaccepted and thus create such a big commotion. Hence, the artist could have considered having exhibition in a more open country such as France then he might have succeeded.

In conclusion, I think that if the artist would like to freely expressed his artistic intention in a more bizarre way, he should consider the social context and level of acceptance of the people in order to meet his expected outcome of the work.